THE BURDERNED OF TRUTH ON SILENCE

I’m writing this column in the backdrop of the film, The Kerala Story. It is not just controversial, it can polarise and divide, writes <...

TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

THE POLITICAL GAMECHANGER

Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

BEHIND THOSE TALL WALLS

Humra Quraishi recalls the words of Khushwant Singh in trying to understand the nature of the chaos that communal politics in ...

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

VANISHING WORDS

Today, Humra Quraishi talks about why she will pray namaz but will not celebrate Eid.

I&r...