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“ME & HOUSE WORK? ARE YOU NUTS ???”

Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera B...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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WE THE PEOPLE!

Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertai...

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Government in Hibernation - Lay-offs Rampant

Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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Art of Lines & Commas

Khalid Mohamed in conversation with Ashok Namdeo Hinge, calligrapher, graphic designer and abstractionist, we...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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