Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

In Conversation with Uttara Baokar

I’m sharing parts of a conversation with path-making, veteran theatre actor who was ideal to generations of theatre-citizens, writes Read More

Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

Gup-shup with GoPu

Noted academic, playwright, writer Govind P Deshpande (2^nd August 1938 – 16^th October 2013) was be...

How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

Rainbow Flag at Kala Ghoda

Three LGBTQ programs by KASHISH are being hosted at Kala Ghoda Arts Festival this year, reports The Daily Eye Newsdesk

The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

Voices we miss

Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today.

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