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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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The Forgotten History of Human Civilization

Shantanu Ray Chaudhuri: A film based on a Badal Sircar play is rare. Rare still is a debutant filmmaker adapting one. That too...

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Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

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RUCHI NARAIN: On a creative roller-coaster ride!

Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy i...

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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

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You’ve come a long way – Baby!

Monojit Lahiri reviews Shobha De’s Lockdown Liaisons and gives it a thumbs up!

Firs...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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