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Order! Order!

Khalid Mohamed reviews the twisty courtroom drama Nail Polish, the erotica-fest Paurashpur and a sensitive short film Adivaana...

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IT’S APPY NEW YEAR AND A BOUQUET OF TALKS

Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, ...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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Behind Every Successful COVID Vaccine Is A Woman

At least in the field of vaccine development, women have shown that they are capable of delivering a safer world. More power to our new sheroes...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

Missing Soumitrababu

The 1950’s down 70’s are often considered as the ‘Golden Era’ of Bengali Cinema, reminisces Rwita Dutta Read More

Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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I want to act, not be famous: Arif Zakaria

Aparajita Krishna tells us, that Arif Zakaria was born in a very respected Konkani Muslim family in Bombay.

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