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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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The Rekha Mystique

Khalid Mohamed escorts us back to an up-close-and-personal interview with the eternally enigmatic Rekha

RUCHI NARAIN: On a creative roller-coaster ride!

Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy i...

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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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