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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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LET THERE BE MUSIC

Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-freshe...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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Her Fabulous 15

On the event of her birthday tomorrow (August 15), film historian Dhruv Somani selects the 15 most unforgettable performances ...

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NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Life at the Margins: Akash Ongshoto Meghla

Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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HEARTSPEAK

All you wanted to know about Dharmendra. Khalid Mohamed rekindles an interview with him, dil se.

Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar