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NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

About Politicians Switching Sides Mid-term

The recent split in the Shiv Sena and the walk over that followed raises some important questions. Various professionals speak to ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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A HOLY CONSPIRACY

Monojit Lahiri reviews A Holy Conspiracy, a Saibal Mitra Film. A must-see film for all lovers of quality cinema, he writes. Read More

Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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That Daisy Fiasco

Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...

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Only About Ground Realities

YASHWANT SINHA, choice of the opposition parties as the next President of India,  is rational; he talks about ground realities with convic...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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