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Flights For Freedom

Call for film submissions and Wendell Rodricks International Poster Design Contest are open. The theme for South Asia’s biggest LGBTQA+ F...

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I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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A SLICE OF BENGAL IN TELANGANA

The recently concluded 4th edition of the Telangana Bengali Film Festival brought to the limelight exciting new talent. Shantanu Ray Ch...

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Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

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Kaizzad Capadia: The soul of fitness training

Kaizzad Capadia was a well-known fitness trainer. In fact he was a fitness trainer to trainers at his K11 center. He recently passed away. Expe...

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Death of the language and a metaphor

Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the c...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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