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Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

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Sidharth Sengupta: Goldie’s Serial Count!

Aparajita Krishna makes a tortoise run, and faster than a hare, when she wants. Here she makes...

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Mohomaya Chapter 2

Shantanu Ray Chaudhuri: Chapter 1 of Mohomaya, a first-of-its-kind psychological/horror experience for a Bengali OTT platform, was skating on thin ice from...

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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Signs of the times: Time to talk truth to power

Humra Quraishi’s commentary demands answers and accountability for the sufferings of innocent people and she insists tha...

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Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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Frankly Speaking

Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke J...

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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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