Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

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Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...

Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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Catching the moment

Khalid Mohamed discusses the fast-changing dynamics of image-making today with the eminent New Delhi-based still photographer, Prerna Jain