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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultTHOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT
While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...
Read MoreRETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD
Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...
Read MoreKALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS
Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...
Read MoreFESTIVALS: CHESS MOVES AND SILENT TRUTHS
Amidst monsoon whispers over Versova, WIFF’s June showcase spotlighted brave short films—The Pawn of Marottichal a...
Read MoreFESTIVALS: LANDSCAPE AS A VISUAL BIOGRAPHY
Julia Romano’s Memories of India reimagines landscapes as visual biographies—layered digital collages blending architectur...
Read MoreBUSINESS: ENTERTAINMENT HIJACKS SALES IN ADVILLE
A sharp look at how advertising today prioritizes entertainment over sales, sparking debate on creativity, strategy, and real business impact. ...
Read MoreALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS
Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...
Read MoreGENDER: THE LEGACY OF QUEER FILMS IN INDIA
From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...
Read MoreTHOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE
In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
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