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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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Search ResultAGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD
While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...
Read MoreSHAMIR TANDON: MAKING MUSIC & INNOVATIONS!
Aparajita Krishna talks to Shamir Tandon, who has heard, seen, faced music (smiling emoji) from both behind-the-scenes busines...
Read MoreFATHER’S DAY: ARE DADS LESS IMPORTANT THAN MOMS?
Why is Mother’s Day celebrated with such blockbuster drama, passion and emotion, forever resonating big with the collective imagination, ...
Read MoreFOCUSED AGENDA: CRONYISM AND HINDUTVA
Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...
Read More“Bookshops don’t fail. Bookshops run by lazy booksellers fail.”
With its four-storey outlet in GK-2, Ajay Jain has made Kunzum the new happening place for booklovers in Delhi-NCR. In a conversation with
THE CURIOUS CASE OF BOLLYWOOD AND POLITICS
One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...
Read MoreFILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!
Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...
Read MoreATUL TIWARI: MAN OF MANY PARTS!
Aparajita Krishna time-travels with writer, actor, museum designer and teacher of dramatic arts Atul Tiwari, and returns with ...
Read MoreRETURN TO INDIA
An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...
Read MoreTOPS GLOBALLY. FLOPS LOCALLY.
Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...
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