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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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Search ResultTRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
Read MoreTRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!
Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...
Read MoreMOVIES: TALE OF AN UNBELIEVABLE FILM





The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...
Read MorePOWERFUL PEOPLE: INFINITE GENIUS, BOUNDLESS THEATRE
Nadira Zaheer Babbar inhabits the same universe where I met her in 1984. Today, she is as intense and powerful as a thousand times more, and it...
Read MoreALTERNATIVE ENTERTAINMENT: BETWEEN REALITY AND REPRESENTATION
SHUDDHI is an emotional journey, a call to action, and a symbol of hope all in one. It aims to generate renewed discussion on Leprosy. A rare f...
Read MorePOWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY
Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...
Read MoreBUSINESS: SPEAK MEMORY!
Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.
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THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??
Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.
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TRENDING: IS APNA TIME AAGAYA HERE?
Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...
Read MoreBOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s
It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...
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