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Powerful People

POWERFUL PEOPLE: DEBASMITA DASGUPTA HAS COME A LONG WAY

“The most gratifying part of running this publication is that unique and immensely talented people connect with me”, writes Read More

Business and Politics

POLITICS: BURING FIRES, THREATNING GOONS

Humra  Quraishi calls out the BJP government for its apathy towards the raging fires in Uttarakhand as well as its threat...

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Trending

TRENDING: STOP MISREPORTING DEMOGRAPHIC STUDIES TO CREATE FEAR & DIVISION

Media must not misreport the study on population by PM-EAC: Population Foundation of India makes an appeal ac...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE RISK TAKERS BY SIDDHESH PANDEY

Siddhesh Pandey’s poignant exploration of Mumbai’s unsung heroes is heartening and life-affirming, reports Vinta Nanda. &ld...

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Festivals

FESTIVALS: KASHISH 2024 WITH DEEPA MEHTA, NANDITA DAS AND MEENAKSHI SHEDDE

KASHISH 2024 to host ‘Fire’side chat with Meenakshi Shedde. Internationally acclaimed filmmaker Deepa Mehta will have a ‘Fire...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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Business and Politics

POLITICS: SHADOW OF DOUBT ON ELECTION PROCESSES

Humra Quraishi, raises concerns about the candidates with criminal records and throws light on demands being made to return to...

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Kaleidoscope

KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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Powerful People

POWERFUL PEOPLE: A FEW MILES ON THE BHARAT JODO YATRA

Mumbai-based writer and journalist Dilip D'Souza, celebrated for his incisive commentary on social and political issues, engag...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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