PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

Read More

SUNNY SIDE UP

Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...

MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

Is a woman incomplete if she's not a mother?

Monojit Lahiri unfolds a poignant real life story of how a student of his overcame society’s regressive gaze upon her be...

Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

Read More

When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

The King & I!

Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi whe...

‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...