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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY
Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...
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POLITICS: NOT MEDIA, MASSES SPEAK THE TRUTH
Humra Quraishi wonders why the ruling party of the day needs to demolish opposition parties and diminish leaders, when it is a...
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GENDER: ZERO TOLERANCE TOWARDS SEXUAL HARASSMENT
Vinta Nanda in a conversation with General Secretary of CINTAA about what it takes to have zero tolerance for sexual harassmen...
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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL
The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...
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FESTIVALS: A DAY OF DREAMS AND ACHIEVEMENTS
Whistling Woods International (WWI), the torchbearer of excellence in media and creative arts education, commemorated its 16th Convocation...
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TRENDING: IS APNA TIME AAGAYA HERE?
Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...
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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s
It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...
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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR
In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...
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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO
Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...
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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE
Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...
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