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Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

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WWI’s Event Education Festival

The event pioneered by WWI School of Event Management marked the presence of industry stalwarts such as Brian Tellis, Mohomed Morani ...

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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.

Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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Deepika, Madhuri, Alia, Vidya, Shefali – Women-centric films explode!

Will the recent whammos unleashed from these female big-hitters trigger more of the same? Monojit Lahiri attempts a checkout.&...

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ACTOR with a CAUSE

Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with...

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A SUITABLE MAN

Khalid Mohamed’s freewheeling chatfest with Saif Ali Khan, on his change-over from being ‘flighty’ to becomi...

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