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Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

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The Sound of Dubbing

Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artis...

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Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

COVID-19: The hour of reckoning

Anupama Mandloi writes about how the Mumbai based organization YUVA, has engineered itself to help the disadvantaged during th...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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The burden of the overworked Japanese mothers

Many Japanese women are caught in limited roles in the workplace, which hold them back from their biggest ambitions caused by the disproportion...

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