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BOLLYWOOD LYRICS – FROM A TO...OMG!!

A sharp, nostalgic and provocative exploration of how Hindi film lyrics have evolved from poetic romance to market-driven expression shaped by ...

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INDIA’S IDENTITY DEBATE MEETS CULTURE

When Identity Is Policed and Culture Is Celebrated: India’s Strange Inflection Point. As India debates identity through new legislation, ...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema

ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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