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TELEVISION: RETURN TO TV WITH AYE DIL…JEE LE ZARA

Gajra Kottary returns to TV with Aye Dil…Jee Le Zara, defying industry norms, embracing change, and reigniting the power of ori...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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BOLLYWOOD: CELEBRATING AAMIR KHAN’S CINEMATIC LEGACY

Celebrate Aamir Khan’s birthday with Ultra Play OTT as it streams his iconic films, from Andaz Apna Apna to 3 Idiots, s...

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THOUGHT FACTORY: CELEBRITIES AND RIGHT TO PRIVACY

From Mystique to Masses: How Modern Media Transformed Stardom into Spectacle. Monojit Lahiri explores the vanishing allure of ...

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GENDER: HOW PATRIARCHY SILENCES RESISTANCE

Patriarchy persists by co-opting privileged voices, masking systemic exploitation in industries like film and policy. Triggered by a panel disc...

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FESTIVALS: THE CHANGING FACE OF DURGA PUJA

Religious Fest? Reality Show? Sponsored Program? A little of all these? Monojit Lahiri lays it on the line, examining how Durg...

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THOUGHT FACTORY: A CAUTIONARY TALE FOR INDIA'S BUREAUCRACY

The delicate balance between public service and private interests in India, and employing leadership from within the bureaucracy is crucia...

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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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