ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

BOLLYWOOD TIK-TALK: AUTUMN OF SPECTACULAR STORIES

There’s no end to the endless conversations to be had and stars to be seen in Bollywood. Today, the #Newsdesk brings you...

THE COMMONALITY BETWEEN OTT STARS AND EUROPEAN ACTORS

Monojit Lahiri investigates to find out if what OTT stars are to Bollywood today, is what European actresses were to Hollywood...

A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED

Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...

A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

THE CURIOUS CASE OF BOLLYWOOD AND POLITICS

One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

THE ‘ARRE O SAMBA’ SAGA

Monojit Lahiri does a flashback to the iconic Arre O Samba Saga and revisits the biggest hit of Indian cinema Sholay!

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...