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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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Women and Welfare

Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after p...

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A SUITABLE MAN

Khalid Mohamed’s freewheeling chatfest with Saif Ali Khan, on his change-over from being ‘flighty’ to becomi...

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Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Vikrant Massey: Stardom Wishes this Actor

Aparajita Krishna has a nice long conversation with actor Vikrant Massey – about his growing up years and his evolution ...

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Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

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