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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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GENDER: A WIFE'S HILARIOUS TALE DURING IPL FEVER

Monojit Lahiri hilariously recounts the rollercoaster ride of being an IPL victim, with the husband as the culprit in this upr...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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THE COMMONALITY BETWEEN OTT STARS AND EUROPEAN ACTORS

Monojit Lahiri investigates to find out if what OTT stars are to Bollywood today, is what European actresses were to Hollywood...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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A COUNTRY CALLED CHILDHOOD: A MEMOIR

BOOK REVIEW: Actor Deepti Naval’s journey into her childhood is one from the heart, funny and moving in the same breath. Shantanu...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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