पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

RAJA BRO: FILM ABOUT INDIAN TRANS MAN IS MAKING WAVES

The film is being appreciated for its honest and sensitive portrayal of Merlin, a trans man living in Kalyan. Director Sridhar Rangayan to pres...

THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...