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ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

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A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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YESTERDAY ONCE MORE

Khalid Mohamed rewinds to his conversations with his all-time favourite, Sridevi, whose fourth death anniversary is today...

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And a New Year is about to begin…

It is the good times of the past that inspire us to look forward to the coming year, for there is little in the events of 2021 that give any co...

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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A Book of Tiny Flames

And each flame melting in its own heat, writes Janaky Sreedharan in her review of the book A Red-Necked Green Bird

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