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RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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HOLLYWOOD: LOVE, MATH & MODERN MATCHMAKING

A modern reflection on love, class, and emotional currency, inspired by The Materialists—where algorithms meet affection, and ma...

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BUSINESS: ENTERTAINMENT HIJACKS SALES IN ADVILLE

A sharp look at how advertising today prioritizes entertainment over sales, sparking debate on creativity, strategy, and real business impact. ...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

THOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE

In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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KALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY

A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...

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BOLLYWOOD: WHAT MADE MANOJ KUMAR SPECIAL?

Monojit Lahiri’s frank and candid take explores the predictable explosion of emotions and nostalgic tributes from collea...

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