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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK
Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...
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TRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s
It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...
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THE COURAGE AND CONVICTION OF SAIF HYDER HASAN
After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...
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DILIP KUMAR AT 101
Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...
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SALUTING SATYAJIT RAY’S UNIQUE HEROES
Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...
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TOPS GLOBALLY. FLOPS LOCALLY.
Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...
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ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!
Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...
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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...
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ABOUT BRINGING GURU DUTT TO BENGALI READERS
Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....
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