THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

MOVIES: TALE OF AN UNBELIEVABLE FILM

The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...

POLITICS: WHEN THE SEEDS OF HATE WERE SOWN

Humra Quraishi recounts the days when there was respect and great pride in India’s diversity, and brings back memor...

BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

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TRENDING: IS APNA TIME AAGAYA HERE?

Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...

ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...

REMEMBERING THE UNFORGETTABLE SMITA PATIL

Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...