ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

BOLLYWOOD: MR. MOHABBAT ZINDABAD!!

As Dilwale Dulhania Le Jayenge completes 30 years of success, Monojit Lahiri takes you down memory lane tracing the life and t...

ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

THOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?

Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

ALTERNATIVE ENTERTAINMENT: WHEN TWO WORLDS COLLIDE

OTT has redefined cinema with realism and bold narratives, challenging the dominance of Bollywood and Hollywood's star-driven spectacles by ech...

RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

BOLLYWOOD: WHEN FAME MEETS REAL TALENT

Actors Long to Be Stars. Stars Yearn to Be Actors — Can the Twain Ever Meet?

Monoji...