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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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WHICH ROAD SHALL WE TAKE…IT IS THAT TIME AGAIN

We are going through difficult times, where the voice of academics is being stifled and snuffed, writes Humra Quraishi. &...

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ENCHANTING WINTER DESTINATIONS IN INDIA

As the chill of winter sets in, India unfurls its magic with a plethora of destinations that transform into enchanting wonderlands during the f...

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GREAT TO HEAR FROM YOU BABY BOOMER SISTER!

The title tells you all about her. “Great to hear from you baby boomer sister!” she shouts out to me when I get in touch with actor...

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ATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS

India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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COME SEPTEMBER: IT IS TIME TO REMEMBER TEACHERS

Come September, two significant days stand out. Teachers Day on 5th September and the World Alzheimer’s Day on 21st September,...

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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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