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THE ZEN NOT REACHED

Neil Banerjee looks at the Government’s vehicle scrapping policy, odd-even policy to fight pollution in Delhi, and demon...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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GIVE LOVE A CHANCE!

Replacing his film journo’s cap for the Ad-man’s hat, Monojit Lahiri explores the hidden virtues of love as a bran...

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SUNNY SIDE UP

Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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MY RK STORY

Once, Raj Kapoor rescued a mugged journalist from being...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Bengal in Bengaluru: The Kolaj Bengal Film Festival

The first edition of the Kolaj Bengali Film Festival was a welcome effort in getting Bengali films a national reach. Shantanu Ray Chaud...

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HIT MACHINE

Film historian Dhruv Somani tracks the unique success story of Jeetendra who completed his 80th last week - in a welter of Hin...

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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