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STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

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DEFENDING THE IDEA OF INDIA

Keeping in mind the objective to intervene in defence of diversity, pluralism, democracy, constitutional values and Justice, Anhad organised a ...

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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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The Hyperlinked World

Ranjan Das takes the Diptakirti Chaudhuri account, Written by Salim-Javed, as a case in point to explore a vast hyperlinked un...

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Memories of Underdevelopment

Sharad Raj writes, “Many consider Tomas Alea, the greatest filmmaker to emerge from Cuba and Memories of Underdevelopmen...

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FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More