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RETROSCOPE: MAN WITH THE GOLDEN GUITAR

Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...

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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE

A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and En...

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FESTIVALS: KASHISH EXPANDS BORDERS ONLINE

Hundreds of LGBTQ+ films screen at KASHISH 2025 Online Film Festival. The month-long festival aims to provide easy access beyond geographical b...

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TRENDING: BEAUTY LIES IN BOTOX WITHIN

‘To Thine Own Self Be True…’ This famous quote from Shakespeare’s Hamlet has taken on a new meaning today, wi...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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BUSINESS: SAMEER NAIR’S MASTERSTROKE

In a bold leap into global fiction, Applause Entertainment acquires rights to six Jeffrey Archer bestsellers, reimagining them for the screen f...

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KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP

Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...

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FESTIVALS: KASHISH 2025 CELEBRATES GLOBAL QUEER CINEMA

Daniel Craig’s “Queer” and Elliot Page’s “Close To You” to bookend Mumbai’s iconic LGBTQ+ fil...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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FESTIVALS: WINNER OF THE KASHISH 2025 POSTER DESIGN

Auroville-based designer wins KASHISH 2025 poster contest as South Asia’s biggest LGBTQIA+ film festival prepares for a vibrant celebrati...

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