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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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