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Queen Bee

Rani Mukerji in a light-hearted banter with Khalid Mohamed.

Back in the last century, in ...

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RUCHI NARAIN: On a creative roller-coaster ride!

Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy i...

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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

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MUJIB: The Making Of A Nation

Aparajita Krishna has brief but deep conversations with director Shyam Benegal, co-writer Atul Tiwari and costume designer Pia...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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This Distance

Humra Quraishi talks about the senselessness of war and its impact on the lives of helpless people – she questions the p...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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Soumitra Chatterjee: A Filmmaker Remembers

In a freewheeling conversation with Anuradha Warrier, critically-acclaimed director Suman Ghosh talks about his forthcoming bo...

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