ATUL TIWARI: MAN OF MANY PARTS!

Aparajita Krishna time-travels with writer, actor, museum designer and teacher of dramatic arts Atul Tiwari, and returns with ...

RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

V DAY OR DIL TO PAGAL HAI DAY?

Monojit Lahiri checks out if the V Day is a way of looking at a celebration, or is it a cynical acceptance of a global phenome...

Government in Hibernation - Lay-offs Rampant

Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes...

WRITERS OF OBITUARIES

Humra Quraishi remembers time spent at Loreto Convent Lucknow and also recalls her invaluable conversations with, both, the la...

THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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