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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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NOW GAJRA KOTTARY SPEAKS TO VIEWERS, READERS & LISTENERS

The versatile author and screenwriter Gajra Kottary spoke to Shantanu Ray Chaudhuri on the demands of an audi...

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A PLEA FOR PEACE

Humra  Quraishi celebrates Sahana Ahmed’s book, Amity Peace Poems, and Shubha Menon’s Resilience: Stories of ...

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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The Silenced Valley

Can bringing Cinema to the Kashmir Valley settle the wounds and trauma? No, says Humra Quraishi 

BLAZE: THE WALTZ OF GRIEF AND RESILIENCE

In this interview with the authors of the book ‘Blaze’, Nidhi and Sushil Poddar, Shantanu Ray Chaudhuri asks ...

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Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

WHO DESERVES RECOGNITION & REWARDS?

Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neg...

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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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