Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

Mobilizing against child malnutrition

A child born at the start of 2020 was less likely to become malnourished than a child born at the turn of the Millennium.

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

Sign of the times: So far from God!

Humra Quraishi discusses the definite background to the sorry state of affairs in Afghanistan.

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Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...