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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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FESTIVALS: STIRRING CELEBRATION OF INDEPENDENT CINEMA

WIFF’s Second Monthly Pre-Festival Screening: Where Stories Found Their Heartbeat and Conversations Sparked New Dreams — A Celebrat...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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BOLLYWOOD: ECHOES OF JASPAL SINGH’S VOICE

Jaspal Singh's songs from the 1970s still stir the soul. Though his playback career was brief, his mellifluous voice left an indelible mark on ...

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POWERFUL PEOPLE: SINGING OVER BONES BY AMY SINGH

Poet Amy Singh speaks on her debut collection, the power of poetry to heal, the politics of verse, and why true poetry must li...

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TRENDING: A SPRING SONG STATE OF MIND

Hindi film songs have celebrated the onset of spring in myriad ways. Shantanu Ray Chaudhuri looks at 5 songs plus one bonus fr...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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