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MAA BEHEN STRUGGLES TO BITE

Arnab Banerjee reviews Maa Behen, Suresh Triveni's dark comedy starring Madhuri Dixit, Triptii Dimri, and Ravi Kishan...

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STUDENT CITY PART 7

Prof. Dr. Piyush Roy’s nostalgic campus chronicle revisits the friendships, rivalries, romances and emotional entangleme...

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PRESENTING LOVE IN AN UNUSUAL ROLE

Monojit Lahiri explores how love, emotion, intimacy, and human connection have evolved from personal values into powerful business tool...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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