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RETROSCOPE: VIOLATIONS, DEMOLITIONS, PUBLIC OUTRAGE

Humra Quraishi’s reflections on a year of upheaval for minorities, where state actions and identity politics have eroded...

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GENDER: HOW PATRIARCHY SILENCES RESISTANCE

Patriarchy persists by co-opting privileged voices, masking systemic exploitation in industries like film and policy. Triggered by a panel disc...

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THOUGHT FACTORY: SILENCE IN THE FACE OF OPPRESSION

In an era of unprecedented division, the gap between mainstream and alternative opinions widens as economic disparities silence marginalized vo...

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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

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MOVIES: RECOMMENDATIONS FOR A LAZY SUNDAY

The #newsdesk recommends films that are much talked about and rated high on the critics’ scale. It’s the weekend! Check them out ri...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

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XBB1.16 VARIANT– THE NEW SUPER SPREADER

Dr Kishore P Madhwani writes: India, in spite of  acquiring a high coverage of primary COVID vaccination (97%) and its second dose (90%), the precauti...

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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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