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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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