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Retroscope

VYJAYANTHIMALA: ‘WHO REMEMBERS ME?’

Khalid Mohamed looks back in affection at the tumultuous life and unmatched acting career of Vyjayanthimala Bali Read More

Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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Business and Politics

THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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Alternative Entertainment

TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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Human Rights

MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Trending

BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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Kaleidoscope

STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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Alternative Entertainment

ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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Festivals

PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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