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TV: WHEN FRAGRANCE BECAME THE TEACHER

In its first edition, Surabhi Diaries by Suhail Tatari revisits the beloved 1990s TV phenomenon Surabhi, cap...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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TRENDING: A SYMPHONY OF MODERN MASTERS

Step into a luminous celebration of India’s modern art legacy, where Raza, Gaitonde, Mohamedi, and Souza unite in an exquisite dialogue o...

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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING

From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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RETROSCOPE: MAN WITH THE GOLDEN GUITAR

Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...

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FESTIVALS: RAM KUMAR SHAPES SILENT ARCHITECTURES

Cosmic Heart Gallery presents Architect of the Abstract, a curated selection of Ram Kumar’s mixed media works on paper, revealing the lyr...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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