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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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THE CALM BEFORE THE STORM

Humra Quraishi talks about the apprehension that clouds not just the largest minority community, the Muslims, but also the cit...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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This Distance

Humra Quraishi lays out the importance of the Bharat Jodo Yatra in context to similar Yatras taken by great men like the Mahat...

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GIVE LOVE A CHANCE!

Replacing his film journo’s cap for the Ad-man’s hat, Monojit Lahiri explores the hidden virtues of love as a bran...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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The Soul Of Hindustan

Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains ...

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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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