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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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TRENDING: HUMAN STORIES STILL TOUCH HEARTS

Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS

“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...

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BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

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BOLLYWOOD: SARZAMEEN FAILS TO RISE

Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...

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