Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

Against all odds

Film historian, Dhruv Somani, takes you right into the storm of Bollywood’s films revolving around natural and man-made ...

Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More