FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!

Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...

ATUL TIWARI: MAN OF MANY PARTS!

Aparajita Krishna time-travels with writer, actor, museum designer and teacher of dramatic arts Atul Tiwari, and returns with ...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

KASHISH MUMBAI INTERNATIONAL QUEER FILM FESTIVAL OPEN TO REGISTRATION

Registrations Open for 14th KASHISH Mumbai International Queer Film Festival, reports The Daily Eye Newsdesk

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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

BEHIND THOSE TALL WALLS

Humra Quraishi recalls the words of Khushwant Singh in trying to understand the nature of the chaos that communal politics in ...