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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

Kaleidoscope

My first trip on Air-India

With Air-India in the news, Farrukh Dhondy reminisces u...

Powerful People

Love me if you can: Khwaja Ahmad Abbas

“Love me if you can”, says the last will and testament of Khwaja Ahmad Abbas, writes Read More

Hollywood

Their Little Secret: Murmur of the Heart

Louis Malle is known for controversial and often semi-autobiographical work, writes Sharad Raj.

Environment

Climate Change: Millions Could Migrate by 2050

Decisive collective action could reduce climate migration by as much as 80 percent, reports The Daily Eye Newsdesk

<a href="/priorities/climate-change-millions-could-migrate-by-2050/07747539848a5899" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1632062502Retroscope_-_Post_(2)_(10)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af">Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema</a></h3> <p><p style="text-align: justify;">In the series on landmark Bengali films post 2000, <strong>Shantanu Ray Chaudhuri</strong> looks at Ranjan Ghosh’s adaptation of Shakespe...</p> <a href="/thought-box/hrid-majhare-the-bard-s-official-debut-in-bengali-cinema/80623b0a02a0e0af" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631542397Retroscope_-_Post_(2)_(9)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b">The Hazards of Adaptation: Chimamanda Ngozi Adichie</a></h3> <p><p style="text-align: justify;"><strong>Ranjan Das</strong> focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...</p> <a href="/thought-box/the-hazards-of-adaptation-chimamanda-ngozi-adichie/349a4d54e649aa6b" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/true-review/an-anthem-and-counter-anthems-pyaasa/917a72e2adeb3222" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631372038Retroscope_-_Post_(1)_(16)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Movies" style="color: #1985e1;">Movies</a> </div> <h3><a href="/true-review/an-anthem-and-counter-anthems-pyaasa/917a72e2adeb3222">An anthem and counter-anthems: Pyaasa</a></h3> <div class="ot-star-rating"><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /></div> <p><p style="text-align: justify;">This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes <strong>Ju...</p> <a href="/true-review/an-anthem-and-counter-anthems-pyaasa/917a72e2adeb3222" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/in-the-news/assamese-story-about-a-transman-wins-film-grant/b47dfdbc6df4c5c3" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/09/1631287800Retroscope_-_Post_(38)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> 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POLITICS: A NATION AT CROSSROADS AND APATHY

GENDER: HOW PATRIARCHY SILENCES RESISTANCE

KALEIDOSCOPE: BRIDGING THE SACRED AND THE ARTISTIC

POWERFUL PEOPLE: USHA UTHUP - THE QUEEN OF POP

HOLLYWOOD: TOP 10 OSCAR CONTENDERS 2025

KALEIDOSCOPE: SHILLONG’S CHERRY BLOSSOM SPECTACLE

POLITICS: THE TOXIC HAZE OF INDIFFERENCE

BOLLYWOOD: THE DIVERGENT WORLDS OF STAGE AND CINEMA

TRENDING: THE GREAT REDEVELOPMENT BONANZA & FASCISM

POLITICS: MAHARASHTRA’S DEMOCRACY AT CROSSROADS